HomeMUSICFEATURED MUSIC ARTICLESInterview with rising artist Epic Sensation

Interview with rising artist Epic Sensation

Blending Hindi and English, India and the UK, and hip-hop with electronic energy, Epic Sensation continues to shape a cross-cultural sound rooted in movement, confidence, and global perspective. His latest single, I’m Great, transforms an unfinished 2022 instrumental into a bold statement of self-belief, reimagined through collaboration and lived experience.

Written between continents and refined during his time studying MA Advanced Music Technology in London, the track reflects both artistic evolution and personal transition, turning uncertainty into motivation. We caught up with Epic Sensation to discuss identity across languages, rebuilding old ideas, and why confidence sometimes begins as self-talk before it becomes a declaration.

1. You move between India and the UK, and between Hindi and English in your music. Do you think of that as a natural expression of who you are, or something you’ve had to consciously shape into an artistic identity?
I think it started as a natural expression of who I am rather than something I consciously planned. I’ve always been curious about music, not just as a listener but as a student of it. That’s one of the biggest reasons I moved from India to the UK. I wanted to explore new sounds, new cultures, new ways of creating, and learn from people with completely different backgrounds and experiences. To be honest, moving abroad was a dream I had for years. It took me nearly three years to make it happen because of financial and personal family challenges, but I never stopped working towards it.

When it comes to language, Hindi keeps me connected to home. It’s the language in which I naturally express emotions, memories, and personal experiences. English, on the other hand, connects me to the global music scene and the wider audience I’ve been exposed to since moving to the UK. Rather than choosing one over the other, I see them as two parts of the same journey. Music has never felt limited by language to me. Whether it’s Hindi or English, the goal is always the same: to communicate a feeling, tell a story, and connect with people. If my music can act as a bridge between cultures, then that’s something I’m really proud of.

2. Relocating to the UK while studying music technology must have placed you between two different music cultures and expectations. What was the hardest part of trying to define your sound in that in-between space?
Moving to the UK to study Advanced Music Technology was one of the most important decisions I’ve made for my music career. More than anything, it gave me an opportunity to step back and look at my music from a completely different perspective. Before moving to London, I had already spent several years working as a full-time musician after graduating in 2018. I was writing, producing, performing, and collaborating with different artists, so I already had a strong sense of who I was creatively. The reason I chose to pursue a master’s degree wasn’t to start from scratch, but to refine my skills, explore new technologies, and understand music on a deeper level.

Interestingly, I didn’t find the cultural side as challenging as people might expect. One thing I love about London’s music scene is that diversity is celebrated. Performing and creating music in Hindi didn’t feel like a barrier; if anything, it became something that made me stand out. People were curious about the language, the culture, and the stories behind the music. That gave me confidence to embrace my identity rather than change it. The biggest challenge was probably adapting to the academic and technical side of the course. After being away from education for several years, suddenly being back in a research-driven master’s programme took some adjustment. At the same time, it was incredibly exciting. I had access to world-class studios, immersive audio environments, large-format mixing consoles, and technologies that I’d only read about before.

Looking back, the experience didn’t pull me between two different musical worlds. Instead, it helped me bring them together. It allowed me to combine the artistic foundation I built in India with the technical knowledge and global perspective I gained in the UK, and that’s had a huge influence on the sound I’m creating today.

3. “I’m Great” started as an instrumental idea back in 2022 and stayed unfinished for a while. What made you feel like the track was finally ready to come back to?
The truth is, it wasn’t one of those situations where I suddenly woke up one day and decided to revisit the track. It happened quite naturally. The instrumental for “I’m Great” was originally created back in 2022 and, like a lot of producers, I had a collection of unfinished ideas and beats sitting in my archives. At one point, I had even recorded a verse for it, but the track never made it to release and just stayed in my folder.

Fast forward to my time at the University of West London, and Basement Studio 4 with Rithvik. We were going through a selection of beats and ideas, listening to different sounds and discussing potential collaborations. As soon as this instrumental came on, something clicked. Rithvik immediately connected with the energy, the vibe of the track. What started as an old unfinished beat suddenly felt fresh again. We both saw potential in it and decided to work on it. In a way, the song found its right moment and the right collaborators.

I think that’s something a lot of producers can relate to. Sometimes a track sits quietly for years, and then one conversation, one session, or one collaboration brings it back to life. That’s exactly what happened with “I’m Great.”

4. The track focuses on confidence and self-belief, but not in an arrogant way. Was that balance something you aimed for from the beginning, or did it become clearer once the lyrics and collaborators came in?
When Rithvik and I first met in person at the University of West London, we’d only really connected through social media before that. As a producer, I always like to spend time getting to know the artist before jumping straight into the music. The best songs usually come from real conversations and real experiences, not just from pressing record.

We ended up talking about life, personal growth, and the journey that had brought both of us to that studio. For me, moving from India to the UK was a huge step. Everything happened very quickly. I received my visa at the beginning of January 2023 and by the end of the month I had left home and moved to a completely different country. Looking back, I didn’t really have time to process everything that was happening because I was focused on adapting, learning, and making the most of the opportunity. That naturally led us into a conversation about confidence, self-belief, and manifestation. We spoke about how believing in yourself doesn’t have to come from ego or arrogance. Sometimes it’s simply about reminding yourself that you’re capable, that you’re growing, and that you don’t need validation from other people to know your worth.

Interestingly, the title “I’m Great” came quite late in the process. I already had part of a verse written from an earlier version of the track, and once Rithvik wrote and recorded his verse, we started looking for a hook that captured the energy of the song. As we kept listening back to the session, we realised that the message we’d been discussing all day was right there in front of us: “I don’t need anybody to tell me that I’m great.” That became the heart of the track. It’s not about saying you’re better than anyone else. It’s about trusting yourself, backing your own journey, and recognising your own progress even when nobody else is applauding yet.

5. The collaboration came after Rithvik discovered your live performance through social media. Do you think your live energy changes how people connect with your music before they even hear a studio version?
100%. I think there’s a big difference between being a recording artist and being a performing artist, even though they’re connected. When you’re performing live, you’re feeding off the energy of the room. The audience, the venue, the lighting, the sound system, even the atmosphere in the crowd can influence how you deliver a song. A live performance is never exactly the same twice because the energy is constantly evolving between the artist and the audience.

In the studio, it’s a different process. You’re making creative decisions in advance. You have to understand the emotion and intention of the song and then deliver it in a way that serves the message. If a song is reflective, the performance has to reflect that. If it’s energetic and uplifting, the delivery has to match that energy. With “I’m Great,” the energy was already there from the beginning. The song came out of conversations about self-belief, manifestation, and trusting yourself without needing validation from other people. So when people see me perform, I think they connect with that confidence and authenticity before they even hear the recorded version.

For me, confidence isn’t about saying you’re better than everyone else. It’s about recognising your own progress and backing yourself when things are uncertain. Sometimes the most important validation doesn’t come from other people, it comes from yourself. That’s really the message at the heart of “I’m Great,” both on stage and in the studio.

6. The title “I’m Great” can sound like a statement but it also feels like something you might need to remind yourself of. When you say it in this track, is it more a declaration, a motivation, or a form of self-talk during uncertainty?
For me, it is definitely more of a form of self-talk during uncertainty. When I moved from India to the UK, everything happened incredibly fast. I received my visa at the beginning of January 2023 and by the end of the month I had left home and moved to a completely different country. It was overwhelming, for the first time in my life, I was away from my family, my friends, and everything familiar. Music became my way of finding comfort and connection. I started looking for collaborations, performances, and opportunities to meet people because that’s the language I understand best. Music has always been the way I communicate with the world.

At the same time, I saw how difficult that transition could be for many people. During my time at university, I met students from different countries who struggled with homesickness, isolation, and adapting to a new environment. Some of them even decided to leave and return home. Seeing that firsthand made me realise how important mindset can be when you’re building a new life in a new place. So when I say “I’m Great” in the song, it’s not really about telling other people how great I am. It’s me reminding myself to keep going. It’s a way of saying, “You’re doing okay. Keep making moves. Keep believing in yourself.” Sometimes the person who needs that message the most is YOU.

There’s also another layer to the story that I love. The beat was originally made in India, the song was recorded in the United Kingdom, and it was released through a label in Canada. What started as a simple idea ended up connecting people from three different parts of the world through one piece of music. When I think about that, it gives me chills. It’s a reminder that music has no borders. At the end of the day, it was just a few people connecting through creativity, belief, and a shared passion for music. That’s what “I’m Great” means to me. It’s a declaration, a motivation, and a conversation with myself all at the same time. And hopefully, when people listen to it, they find their own meaning in it too.

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