HomeSPORTSHOOTINGHow to Choose Outdoor Optics for Hunting and Range Use in Australia 

How to Choose Outdoor Optics for Hunting and Range Use in Australia 

Most shooters do not have room, budget, or need for a shelf full of optics. You may want one setup that can handle a Saturday morning stalk after foxes or goats, then behave well at the range the next weekend. The good news is that choosing a scope usually comes down to a few clear decisions, not a stack of technical terms.

This practical checklist is for everyday Australian shooters. It covers where you shoot, how much magnification you need, reticles and focal planes in plain language, glass and low light, setup, and a quick reminder about checking the rules before you head bush.

Start with where you will use it

Before you compare numbers, picture your typical day out. The country you shoot tells you more about the right optic than any spec sheet.

Bush and scrub

Thick country usually means short shots and quick target pick-up. Look for low magnification and a wide field of view so you can find an animal fast and stay on it if it moves. A simple duplex or basic BDC reticle on a second focal plane scope keeps the sight picture clean, which helps most in early light when contrast is low.

Open country and paddocks

In open country, you often get more distance and more time. Mid-range magnification helps here, and clearer aiming references start to matter. If you regularly hold for wind or bullet drop, a reticle that stays true across the zoom range can be useful.

Range days

At the range, stability and repeatability matter more than speed. You want turrets that track reliably, readable clicks, and a parallax control that sharpens the image at higher power. If a range weekend also includes a campsite, keep shooting gear packed separately from general camp gear; family camping tips can help with the non-shooting side of the trip.

Browse what is available in Australia

If you want to see current models and reticle options in one place, you can browse Element Optics Australia to compare focal plane, magnification range, turret style, and mount requirements before you visit a dealer. Element Optics builds several scopes that suit this checklist. The Element Optics Theos 6 to 36×56 and Element Optics Titan 5 to 25×56 are higher-magnification FFP options with 34 mm tubes, while the Element Optics Helix Gen 2 range adds lower-profile turrets and APR-1C and APR-2D reticle options. Treat these as commercial options to compare, and check features model by model, since not every scope includes every feature.

Magnification made simple

More power is not always better. As you zoom up, the field of view gets narrower and the image can look dimmer. The aim is to choose the lowest magnification that does the job comfortably. 

For scrub stalking, something around 1 to 6x or 2 to 7x is easy to live with. If you also test loads at the range or shoot across paddocks, a 3 to 15x or 4 to 16x gives you room to reach out without being clumsy up close.

Reticles and focal planes without the jargon

Two small ideas cause most of the confusion. Once they make sense, choosing a reticle becomes much easier.

FFP versus SFP in one minute

FFP means first focal plane. The reticle grows and shrinks with the image, so hold marks stay correct at any magnification. SFP means second focal plane. The reticle stays the same size as you zoom, which makes it easy to see at low power, but the hold marks are only accurate at one set magnification. For fast bush work, SFP is often easier on the eye. For holding wind and drop at different zoom levels, FFP is handy.

Glass, objective size, and low light

A bigger front lens is not magic. Exit pupil is objective diameter divided by magnification. As a rough guide, a human iris opens to about 6 to 7 mm in dim conditions, so an exit pupil around that size is enough for most eyes. Wind a 56 mm objective to high power and the exit pupil shrinks, so good glass, sensible magnification, and a clear reticle usually beat sheer size. For outdoor lighting work beyond your scope’s range, choosing the right equipment matters just as much as your optics.

Turrets, parallax, and setup

For range use, choose turrets that return to zero and clicks you can feel and read. The side dial marked parallax acts like a focus control. Setting it correctly sharpens the image and reduces aiming error at distance.

Use two quick setup checks. First, set the diopter: point at a plain background, look through quickly, and adjust the eyepiece until the reticle is crisp. Second, check parallax: aim at your target, then move your head slightly up and down. If the reticle drifts on the target, adjust the side focus until the drift stops.

Mounts, eye relief, and rifle fit

A good scope on a poor mount is still a frustrating setup. Match your rings to the tube diameter, often 30 mm or 34 mm, and choose a ring height that lets the objective clear the barrel without sitting too high. Leave enough eye relief so recoil does not bring the eyepiece back to your brow. A stable, comfortable fit makes every other part of the optic easier to use.

Real-world combos (examples, not rules)

Use these as starting points, not prescriptions. Your country, quarry, rifle, and distance come first. Brands such as Element Optics may have models that fit more than one role, so compare magnification range, weight, reticle, and turret layout rather than choosing by model name alone.

  • Bush stalks: a light SFP scope with a simple duplex around 1 to 6x or 2 to 7x for fast target pick-up.
  • Mixed farms and range: a 3 to 15x or 4 to 16x with a simple illuminated BDC, with FFP worth considering if you genuinely hold for wind and elevation.
  • Long paddocks and steel: a 5 to 25x with an FFP grid reticle if you dial or hold often, used with parallax set and a steady rest.

Safety and legality at night

Rules differ by state and can change, so treat this as a reminder, not legal advice. Always check current state rules and official agency guidance before each trip.

In NSW, recreational deer hunting is permitted only during daylight, from 30 minutes before sunrise to 30 minutes after sunset, and night-vision and infrared devices are banned for deer hunting. Victoria prohibits recreational spotlighting for game at night, including artificial light, infrared, night vision, and thermal imaging devices. Penalties can include fines and forfeiture of firearms, spotlights, and thermal devices.

Conclusion

Choose the optic around practical decisions and the rest becomes easier. Start with where you shoot, keep magnification only as high as you truly need, decide whether you hold or dial enough to want a first focal plane reticle, and set up parallax, diopter, and mounts properly. Then spend time at the range so the gear becomes familiar, and always double-check local rules before you head out.

mick small pt
Mick Pacholli

Mick created TAGG - The Alternative Gig Guide in 1979 with Helmut Katterl, the world's first real Street Magazine. He had been involved with his fathers publishing business, Toorak Times and associated publications since 1972. Mick was also involved in Melbourne's music scene for a number of years opening venues, discovering and managing bands and providing information and support for the industry.Mick has also created a number of local festivals and is involved in not for profit and supporting local charities.    

Mick Pacholli
Mick Pachollihttps://www.tagg.com.au
Mick created TAGG - The Alternative Gig Guide in 1979 with Helmut Katterl, the world's first real Street Magazine. He had been involved with his fathers publishing business, Toorak Times and associated publications since 1972. Mick was also involved in Melbourne's music scene for a number of years opening venues, discovering and managing bands and providing information and support for the industry.Mick has also created a number of local festivals and is involved in not for profit and supporting local charities.    

LIVE MUSIC

Kendall Gallo Questions Modern Life on “The Wrong Right”

Kendall Gallo isn't interested in writing songs that simply comfort the listener. On “The Wrong Right”, the singer-songwriter and producer challenges the assumptions many...