Fresh off the success of his award-winning music video “LET ME GO”, Indieclimb (Martin Fjeld) introduces his latest single, “LEGACY”. This electrifying track delves into a dystopian world of reflection, urging listeners to ponder the legacy humanity is leaving behind. We catch up with Indieclimb to discuss all things music below.
“LEGACY” has a deep, dystopian feel. What was the main inspiration behind this track?
The main inspiration behind LEGACY is the current state of the world. There’s so much happening at once—environmental collapse, war, digital overstimulation—it’s overwhelming. Writing this track was my way of processing that chaos. It became a kind of painkiller, a release valve.
You’ve mentioned that the song reflects the chaos of the world today. How did you translate that concept into sound?
I wanted the track to feel like you’re inside a whirlwind—emotionally and sonically. I layered different instruments and textures like clashing voices, each fighting for space. The drums are relentless, the synths evolve constantly. It’s all about that feeling of tension, noise, and trying to stay afloat in the middle of it.
The production on “LEGACY” is incredibly immersive. Can you walk us through your creative process in building the track’s soundscape?
I approached it like scoring a film—every sound needed to serve a purpose. I started with a soft piano riff, then slowly built it up with percussive tension and ambient textures. I wanted it to feel like you’re inside a massive, emotional bubble that just keeps expanding. A respectful portrayal of being in the middle of a warzone—internal or external.
How does “LEGACY” fit into your upcoming album, “FEMME”? Does it set the tone for the rest of the project?
LEGACY is one of the more dystopian moments on FEMME. It’s a raw, emotionally charged piece that asks big questions. But the album isn’t all darkness—after the rain comes the sun. LEGACY is the rain.
If “LEGACY” had a visual or film to accompany it, what would it look like?
I imagine a film following someone trying to find meaning in a chaotic world—kind of like a slow, cinematic breakdown. Lots of wide, desaturated city shots, surreal dreamlike sequences, and a constant sense of something building. It would start off quietly, then slowly erupt emotionally, much like the track itself.
How does “LEGACY” compare to your previous work, especially “LET ME GO”?
LET ME GO had this youthful, impulsive energy—a desire to break free and scream into the void. LEGACY feels more grounded, more thoughtful. It’s not about escape, but confrontation. It’s me standing still in the middle of the chaos and letting it wash over me.
Your music blends cinematic and electronic elements seamlessly. Which artists or genres have influenced your sound the most?
Superpoze is a huge inspiration—his music is like storytelling through sound. I also love artists like London Grammar and Billie Eilish for their ability to make the cinematic feel intimate. And my first real experience with sound as emotion came during a solo trip to Paris—I wrote my first song after biking through the city with strangers I’d just met. That moment changed everything.
If you could collaborate with any artist to remix “LEGACY”, who would it be and why?
Without question—Superpoze. I think he’d understand the emotional layers and dystopian tension in LEGACY, and elevate it into something even more immersive. His ability to build atmosphere and stretch moments is something I admire deeply.
Your songs often evoke strong emotions in listeners. Do you start with a feeling you want to convey, or does the music shape the emotion as you create?
It goes both ways. Sometimes I start with a very clear emotion—like the frustration and helplessness that inspired LEGACY. Other times, I’ll just start creating, and the music itself starts to shape the feeling. It’s a conversation between me and the sound.
What’s one unexpected source of inspiration that has influenced your music?
Honestly? The emotional weight of current events and how AI and tech are reshaping how we connect—or disconnect. It’s heavy, but it forces me to ask deeper questions and turn difficult emotions into something meaningful.
You’ve been gaining recognition in the indie electronic scene. What has been the most rewarding moment of your musical journey so far?
There’s a video someone sent me of a girl dancing with her grandmother to one of my songs. They were just so full of joy. That moment made me cry. It reminded me why I make music—to connect with people, and to create moments like that.
When you’re not making music, what do you do to recharge creatively?
I’m a bit of a nerd, honestly. I run my own marketing company where I create videos, and commercials, take photos, design, and build websites as a front-end developer. It’s a different kind of creativity, and diving into new tech or design challenges actually fuels my music in a weird way.
What’s one piece of advice you’d give to independent artists trying to carve out their own sound?
Don’t be afraid to be a little narcissistic—at least when it comes to your own sound. There’s so much noise out there, but your unique take is what sets you apart. Have fun, make mistakes, and trust that you’ll find your voice if you keep going.
If listeners could take away just one message from “LEGACY”, what would you want it to be?
That even in the darkest, noisiest moments, we can still stand together. LEGACY is a call to remember our humanity in a world that often tries to strip it away. Be kind. Be present. And don’t give up.
What’s next for Indieclimb? Can we expect more singles leading up to “FEMME”, or do you have any surprises in store?
Yes! There will definitely be more singles before FEMME drops. I’m also exploring some more cinematic projects on the side, and who knows—maybe a short film or two. I’ve got a few surprises up my sleeve.
