As far as low-rent theatre goes, this is a pretty fine example, relying not on theatrical bells and whistles but tight, witty dialogue, a scattering of clever references to topical issues and performances delivered by a strong and well-connected ensemble. Two Pairs Of Shorts, if anything could be described as a theatrical exploration of the interactions between people and a study of recurrent themes that where cleverly intertwined between each of the four works.
Boot – written by Matt O’Reilly was the standout of the night, a bizarre story played out in the boot of a car, between two ex-lovers and a mutual friend, the double entendre and witty humour fully taken to by the performers really helped elevate this work. Though more attention should have been given to sight lines, with most of the audience unable to see the performers as they sat down on stage,
As if it caught in a perpetual loop, Stations written also by Matt Matt O’Reilly, saw a succession of characters whose cars had broken down; forcing them to seek help from a stranger. He was successful in creating topical conversations surrounding the recent hype of the “Reclaim Australia” group while within a broader context raised questions surrounding our national identity and the divisive role in which corporations play in defining us in contemporary society.
Both Months and Disposition written by Evangel Arabatzis, relied heavily on a staccato like rhythm, with each performer delivering their lines with bullet like precision. How effective is this style? Here in Two Pairs of Shorts, both works seemed a little rigid and unable to fully hold the attention of the audience. To a degree perhaps this disallowed performers to breath life into their characters, give extra depth. Sadly this prevented a true sense of connection between them and the audience. Neither seemed to either want or be able to provided enough back-story nor character profiles to fuel curiosity or connection with the audience. Perhaps this was a deliberate choice, but if so it should be taken further, making each a little more obscure, leaving audiences with more question,
All in all, this is a solid night of performance, though not without its faults, Moreland Theatre Company should be commended for bringing such a large ensemble together, and presenting such raw and humorous works in a venue more often associated with cabaret and musical acts. Certainly not a night to write home about, but by no means a forgettable one either, Two Pairs Of Shorts has finished its season
