Mendelssohn Scottish & Beethoven Eight
“Australian Romantic & Classical Orchestra is a force to be reckoned with.” – Limelight
Australian Romantic & Classical Orchestra completes its 2023 10th Anniversary season with a mammoth national tour taking 41 of Australia’s finest musicians to Brisbane, Canberra, Melbourne, Newcastle, Sydney, Penrith & Chatswood.
Plus: the hugely popular Voyage of Musical Discovery music education series!
Among the artists are:
Conductor and co-artistic director, violinist Rachael Beesley of Richmond;
Violinist Marlane Bennie of Melbourne;
Belgium-based Melbourne violinist Miki Tsunoda;
Melbourne violinists Lynette Rayner and Iona Tache (Northcote);
Vienna-based North Fitzroy oboist Emma Black and St Kilda oboist Adam Masters
Photo by Robert Catto, on Friday 19 August, 2022. Please credit & tag the photographer when images are used – @robertcatto on Instagram & Twitter, @robertcattophotographer on Facebook.
Midsummer Dreams features works by iconic Classical & Romantic composers Beethoven & Mendelssohn.
Like all European young men of means in the 19th century, Felix Mendelssohn set off on a Grand Tour of Europe at the age of 20.
Unusually, however, Mendelssohn elected to begin in Scotland – and while there he was greatly moved by the dramatic landscape and the bloody history of Mary Queen of Scots.
He began writing his Scottish Symphony while on his tour, although he didn’t complete it until a decade later.
But clearly, Scotland had left its mark on him, and the symphony seems to evoke the striking countryside.
Equally evocative is Mendelssohn’s Overture to Shakespeare’s A Midsummer Night’s Dream, written when he was just 16 – the quick, playful strings at the start suggest the scampering of fairies’ feet, and later one can hear the braying of Bottom after he has been turned into a donkey.
Beethoven’s Eighth Symphony features a lightness of touch, but it is perhaps his most radical symphony.
It completely abandons the traditional structure of a symphony, leaps from loud to soft without warning, and at every turn surprises and confounds expectations.
When asked by his pupil Carl Czerny why the Eighth was less popular than the Seventh, Beethoven is said to have replied, “because the Eighth is so much better” – an appropriately enigmatic answer for a fascinating work!
The 31 July Voyage of Musical Discovery in Brisbane – entitled ‘Musical Identities’ – reveals the multiple identities of composer and performer and the links between them.
Australian Romantic & Classical Orchestra and Muses Trio will explore common threads in music from the past and in the latest Australian music.
At the 7 August Voyage in Sydney, the orchestra and Australia’s musical trailblazers Ensemble Offspring will do likewise, featuring the latest works by Australian women composers.
And in Melbourne on 3 August, the guest ensemble is the Australian Art Orchestra presenting music by their artistic director, Aaron Choulai.
Pictured below: co-artistic directors Rachael Beesley & Nicole van Bruggen
Midsummer Dreams: Mendelssohn Scottish & Beethoven Eight
Australian Romantic & Classical Orchestra – Rachael Beesley Conductor
MENDELSSOHN Overture to A Midsummer Night’s Dream, Op.61 (1826)
BEETHOVEN Symphony No.8 in F major, Op.93 (1812)
MENDELSSOHN ‘Scottish’ Symphony No.3 in A minor, Op.56 (1829-42)
Sun 30 July 3.00pm | Brisbane City Hall
Mon 31 July 11.30am | St Peters Lutheran College, Indooroopilly (Voyage)
Tue 1 August 7.00pm | Albert Hall, Canberra
Thu 3 August 6.30pm | Robert Blackwood Hall, Monash University, Melbourne (Voyage)
Fri 4 August 7.00pm | Robert Blackwood Hall, Monash University, Melbourne
Sat 5 August 7.00pm | Newcastle City Hall
Sun 6 August 3.00pm | Richard Bonynge Concert Hall, JSPAC, Penrith
Mon 7 August 6.30pm | City Recital Hall, Sydney (Voyage)
Tue 8 August 7.00pm | The Concourse, Chatswood
Full program, information and bookings: www.arco.org.au
