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Sunday, May 22, 2022

Cream Of the Crate #43 : Rockabilly Stars Vol 3



cream of the crate #43 : rockabilly stars vol 3
Album Cover – [CLICK to enlarge]


 This review was originally posted on the first Toorak Times web site where publications ceased on that site in March 2017. The old site will be permanently closed in 2020 and these reviews are being re-published in order to preserve them on the current Toorak Times/Tagg site.

cream of the crate #34 : pink floyd – the vinyl boxed set

"This is an invaluable collection for both the curious and experienced rockabilly fan." - (Allmusic Review)

This is number forty three in the series of albums I’m featuring as part of an on-going retrospective of vinyl albums in my personal collection.

The series is called, “Cream of The Crate”, and they represent vinyl albums that I believe are of significant musical value, either because of their rarity, because they represent the best of a style or styles of music or because their is something unique about the group or the music.

It’s easy to see compilation LP’s as a way for record companies to make easy money, by loading an album with a good tracks and to pay the artist little. However this is an example of a compilation album that is very, very welcome.

Rockabilly Stars Volume 3” provides us with 28 outstanding tracks, many very rare and in fact eight tracks were previously unreleased.

Released on the Epic Label (E 37895) in 1982 it contains both recognised and unrecognised talent and when you are presented with previously unreleased tracks by fantastic artists such as, The Everly Brothers, Johnny Cash and Carl Perkins and cult favourites such as Little Jimmy Dickens, Jimmy Horton, Rose Maddox, Werly Fairburn the Collins Kids and Onie Wheeler just to name some, then you know you are in for great listening.

cream of the crate #43 : rockabilly stars vol 3
Album label – [CLICK to enlarge]

Track Listing

Little Jimmy Dickens Hillbilly Fever
A2 The Everly Brothers* That’s The Life I Have To Live
A3 The Everly Brothers* If Her Love Isn’t True
A4 The Collins Kids Walking The Floor Over You
A5 Joe Maphis & Larry Collins Hurricane
A6 Ronnie Self Rocky Road Blues
A7 John D. Loudermilk Tobacco Road
B1 Johnny Cash * Walking The Blues
B2 Jimmy Murphy * Put Some Meat On The Bones
B3 Jimmy Murphy Granpaw’s A Cat
B4 Cliff Johnson Go ‘Way Hound Dog
B5 Jimmy Murphy Sixteen Tons Rock And Roll
B6 Johnny Horton Ole Slew Foot
B7 Onie Wheeler Going Back To The City
C1 Johnny Horton I’m Coming Home
C2 Rose Maddox Hey Little Dreamboat
C3 Jaycee Hill* A Love So Fine
C4 Carl Perkins That’s All Right
C5 Carl Perkins * Because You’re Mine
C6 Sid King & The Five Strings Let ‘Er Roll
C7 Werly Fairburn Everybody’s Rockin’
D1 Bobby Lord Everybody’s Rockin’ But Me
D2 Johnny Horton Lover’s Rock
Lorrie Collins * Soda Poppin’ Around
D4 The Collins Kids * Hot Rod
D5 Leon Smith Little Forty Ford
D6 Carl Perkins Pop, Let Me Have The Car  
D7 Carl Perkins * Rockin’ Record Hop

* Previously unreleased track

cream of the crate #43 : rockabilly stars vol 3
Gatefold Cover: LHS – [CLICK to enlarge]
cream of the crate #43 : rockabilly stars vol 3
Gatefold cover: RHS – [CLICK to enlarge

So when you have an album with some twenty different artists and twenty eight tracks, how do you go about writing a review?

I mean to say to comment on all artists would blow the size of the review right out of the water, yet many of them deserve some mention.

So I have decided to look at a selection of tracks that really appeal to me, after all I’m the reviewer and that empowers me to make these decisions.

I have chosen six tracks and certainly it doesn’t mean these are the only great tracks on this album. The fact that there are 9 previously unreleased tracks makes this album a must for serious collectors. However, four of those unreleased tracks are among the six that I will review.

The first track is by possibly the best known artist on this album, or should I say, artists.

The Everly Brothers should need no real introductions, even if you are not a rockabilly fan. In fact, most of their fantastic music doesn’t even fall into the rockabilly category although there is an argument that classic hits such as, “Wake Up little Susie, “Bye Bye Love” and “Bird Dog“, all originally released on Cadence Records, are in fact Rockabilly.

Don Everly (born 1937) and Phil Everly (born 1939) must be considered as among the most successful of the pioneers of rock and roll/rockabilly music, certainly they had hit after hit.

In fact there are two previously unreleased tracks by them on this album and it was a toss of the coin which one to feature.

It’s not everyday we get to listen to an artist that is much admired and hear a track not previously released by them.

Hell, I don’t need to ‘sell’ the Everly Brothers, they have already done that. In all honesty, the track I have chosen is actually a ‘cross-over’ between Country & Western, Hillbilly and Rockabilly, but for Everly fans, it’s a must!

If Her Love Isn’t True


Jimmy Murphy is a largely unknown artist, in fact in many ways he’s an enigma!

In the 1950’s he did a few recording sessions for RCA and two for Columbia. The first Columbia session was in 1955 and it yielded the track, “Put Some Meat On Them Bones“. For some strange reasons the track was never released until this compilation album was put together.

It is an absolutely rocking’ and rollicking good track.

We could spend many lines of discussion setting up propositions for why the track was never released, but let’s leave it as yet another of the many rock and roll mysteries.

It wasn’t the only good release by Jimmy Murphy, who also recorded “Grandpaw’s A Cat” (on this album). This is a fantastic rockabilly piece.

His track “Electricity” [not on this album] formed the basis for his 1978 ‘Sugar Hill’ album ‘Electricity’.

The album has been called his ‘comeback’ album, but it puzzles me, because as great a singer as he is I can’t understand how you can have a comeback album when you were never all that popular previously.

Sadly he died not long after the “Electricity” album was released.

Put Some Meat On Them Bones


Next is The Collins Kids, consisting of brother and sister act, Larry (born 1944) and Lorrie (born 1942).

They signed with Columbia in 1955 and became their principle sibling duo. If I was to categorise their style it would have to be, ‘joyous rockabilly’! Be it by design or accident, their music is full of fun and damn good.

The Collins Kids

In addition to this previously unreleased track, “Hot Rod“, the album has a solo track by Lorrie, a little more down tempo, but non-the less highly enjoyable called, “Soda Poppin’ Around“.

Vocals were their forte. Lorrie took the lead and Larry providing high harmony, along with also playing some very tasty guitar licks.

Top guitarist Joe Maphis taught Larry, and in fact he and Larry team up for a track on this album titled, “Hurricane“. However, for this review I have chosen the track, Hot Rod.

Hot Rod


Track number four in this review and it’s the last of the previously unreleased tracks featured on the album, is a ripper!

It’s by Carl Perkins, Mr ‘Blue Suede Shoes’.

In my mind he may not be the best Rockabilly artist ever, but he sure as hell knew how to sing Rockabilly and he made some money from it, along with his bag of Rock and Roll tracks he was a premier entertainer before his tragic death.

The track “Rockin’ Record Hop” was from his initial Columbia session in February 1958.

It has everything in it that made him so popular. There is a ‘swing’ in the delivery, the backing is oh so tight, and he just simply sounds like the star he was destined to become!

Yet again, we will never know why it wasn’t released because to me, it had hit written all over it.

Rockin’ Record Hop


So, to the final two tracks.

Both of which had been released prior to this albums production. The first is Cliff Johnson with “Go Away Hound Dog“.

Unlike many of his contemporaries, Cliff “Sleepy” Johnson was no youngster when he cut this track. In fact Johnson had been around for many years, starting out as a banjo player with the famous ‘Light Crust Doughboys’ as well as Bob Wills’ ‘Texas Playboys‘ – both bands being definitely part of the earlier hybrid, Western Swing.

So, he was hardly a youngster when he entered the Columbia Studios in January 1957, to record the humorous, but swinging, “Go ‘Way Hound Dog“.

Go ‘Way Hound Dog


And so, I come to the final track, and I do feel guilty that I have left some fantastic tracks out of the review, but then again it gives you the chance to do some discovering yourself.

I have chosen a little known artist, Leon Smith.

By the admission of the cover notes, not a lot is known about him. The track “Little Forty Ford” was recorded in July 1959. The “Rockabilly Hall of Fame had this to say about him.

His career began at the age of 5 and he has never been far from a guitar! His service in the Air Force and other career endeavors lead him away from music for a number of years. He started his music career again in 1997 and has been enthusiastically entertaining crowds ever since.

Leon Smith

Little Forty Ford


cream of the crate #43 : rockabilly stars vol 3
Rear cover : Rose Maddox & the Maddox Brothers – [CLICK to enlarge]


All in all this is a highly recommended album for collectors of, rare albums, early Rock ‘n’ Roll, Rockabilly and cross-over music.

It was a time when life was simpler, if not slower, less violent and in so many ways this music fully reflects that time.  The lyrics tell not just the story of the song but in many ways the story of the people and the life of the times.

The great thing is the vinyl album is still available at a real bargain price of around $20.00, which is around 70cents a track! It is NOT available on CD!




Not unexpectedly, there are very few live performances by artists on this album, so I have done the best i can to find some clips of live performances that exist.


Collins Kids – Wildcat


Syd King – Let ‘Er Roll


Little Jimmy Dickens – May the Bird of Paradise Fly Up Your Nose


The Everly Brothers – Walk Right Back


Carl Perkins – Blue Suede Shoes

Previous Cream of The Crate Albums:

Click to open:

#1.   Howling Wolf: Real Folk Blues

#2.   Otis Redding: Otis Blue

#3.   Dr John: Gris Gris

#4.   Spectrum: Red, Orange, Yellow, Green, Blue, Indigo, Violet

#5.   Son House – The Real Delta Blues

#6.   Various Artists – Cruisin’ 1961

#7.   Various Artists – Live At The Station Hotel

#8.   Crosby, Stills, Nash and Young – Deja Vu

#9.   Moon Mullican – Seven Nights To Rock

#10. Billy Thorpe – Time Traveller

#11. Bobby & Laurie – Hitch Hiker

#12. Jimi Hendrix – Electric Ladyland

#13. The Beatles – The Beatles Collection [A Box Set]

#14. Johnny O’Keefe – 20th Anniversary Album

#15. Jimmy Cliff – The Harder they Come (Music form the soundtrack to the film)

#16. Frank Zappa – Roxy and Elsewhere

#17. Junior Walker & The All Stars – Roadrunner

#18. Various Artists – Jump Children [Voit Voit]

#19. Various Artists – King – Federal Rockabillys

#20. Max Merritt & The Meteors – Max Merritt & The Meteors

#21. Planet Gong – Camembert Electronique

#22. Earth, Wind & Fire – Head To The Sky

#23. Ellen MclLwaine – We The People

#24. The Easybeats – Absolute Anthology [1965 – 1969]

#25. Rainbow Generator – Dance Of The Spheres

#26. Martha & The Vandellas – Greatest Hits

#27. Buddy Holly – The Rock & Roll Collection

#28. The Who – Quadrophenia

#29. Elvis – The Legend (1954 – 1961): A Boxed Set

#30. Col Joye – Lets Rock With

#31. The Yardbirds – For Your Love

#32. Eddie Cochran – The Singles Album

#33. Krozier & The Generator – Tranceformer

#34. Pink Floyd – The Vinyl Boxed Set

#35. Jackie Wilson – Jackie Sings the Blues

#36. Cream – Wheels of Fire [In the Studio]

#37. The Masters Apprentices – Masterpiece

#38. Dead Kennedys – Fresh Fruit For Rotting Vegetables

#39. Billy Holiday – The Original Recordings

#40. MPD LTD – The Wild Side of Life

#41. Solomon Burke – Solomon Burke’s Greatest Hits

#42. Nina Hagen – Unbehagen

Rob Greaves
I have been with the Toorak Times since April 2012. I work as Senior Editor of the Toorak Times, but I also think of myself as senior contributor. I've been in the Australian music scene as a musician since 1964, and have worked in radio and TV and newspapers (when they were paper ), serious experience in audio editing, and a lot of video editing experience. Currently I'm working as a radio program producer for a national interview program as well as my work with the Toorak Times