This review was originally posted on the first Toorak Times web site which was abandoned for its current site in March 2017. The old site will be permanently closed in 2020 and these reviews are being re-published in order to preserve them on the current Toorak Times/Tagg site.
This is number thirteen in the series of albums I’m featuring as part of an on-going retrospective of vinyl albums in my collection that I believe have significant musical value.
One of the things that is different about this record is, that it isn’t a record, it’s a collection of records. It is a boxed set – a boxed set of the BEATLES!
I could be accused of ‘coping out’, of not committing myself – but in all honesty it is an impossible task as almost every album in this box set is a classic in itself.
In 1979 Australian Parlophone put together a domestic version of The Beatles Collection using the Australian editions of With The Beatles (Parlophone PCSO 3045) and Beatles For Sale (Parlophone PCSO 3062).
Both bear cover art unique to Australia. This set also included Rarities and, because it was mastered by Australian Parlophone, She’s A Woman, Komm, Gib Mir Deine Hand and This Boy were all pressed in true stereo. Despite the then high price of $120, this set initially sold over 25,000 units, placing it squarely in Australia’s Top 40.
So, why does this album hold pride of place? Well it contains 13 of the Australian vinyl LP releases, and only one album is missing – Magical Mystery Tour.
Although the tracks have now been remixed several times, with some mono tracks are now available in stereo, and more recently true high fidelity releases have been made of all albums, the albums in this boxed set contain the music, as we of the 60’s generation heard them, and remember them.
There has been so much written about the Beatles and their music, it is a case that anything I say will have been said before, and probably expressed better.
The 13 albums in this boxed set are:
I really am unable to pick a favourite album. Each album has tracks that stand out either because they are classic pieces of Beatles compositions, or the arrangements are, putting it simply, brilliant!
There are tracks that move me even today, and others that I simply want to sing along with. Finally, there are tracks where individual Beatles stand out for a variety of reasons.
In essence, it is a boxed set of 13 albums that can be seen to represent almost 7 years of musical brilliance and to represent a period of great innovation and musicality the like that is probably never going to happen again.
Each of us that listen to these albums will choose different tracks as our favourites, and at times we will choose the same tracks. One thing these four guys were able to do, was to touch in the listener a sympathetic chord that resonated because we either had been in the same ‘place,’ or wanted to be in the same ‘place’ that the music eluded to.
I remember when the great Sergeant Pepper’s album came out. It WAS ground breaking album and of that there is no debate.
So, the musicologist were crying with delight and pulling every stanza apart and examining every change and trying to attach each part of every composition to a historical musical movement – all to the amusement of the Beatles.
In fact the album is explainable as a series of non-related pieces of music that were conceived and executed by four musicians who had individual and collective talents and, whose music journeys led and followed the popular cultural explosion at the time.
The end result was an amazing album with amazing tracks.
Here Comes The Sun
“There was definitely a movement of people. All I am saying is: we weren’t really trying to cater for that movement – we were just being part of it, as we always had been. I maintain The Beatles weren’t the leaders of the generation, but the spokesmen. We were only doing what the kids in the art schools were all doing. It was a wild time, and it feels to me like a time warp – there we were in a magical wizard-land with velvet patchwork clothes and burning joss sticks……” – Paul McCartney.
We couldn’t get enough of them. We wanted more, their record company wanted more and unbeknown to us, all these demands were bringing about the end of what we loved so much.
We wanted them 8 days a week!
Eight Days A Week
They were prolific in their output and when they recorded Help, we thought it was just another great Beatles tune written for a movie. Then, we understood it was a plea, a cry for help form John.
What was happening as individuals and as a group was becoming overwhelming.
One album that appears in this set, and does not appear in this form in any of the other boxed sets released around the world, is the blue Rarities album. It’s probably not in the top 5 of most peoples Beatles collections (for those of us who still maintain such a collection).
Komm Gib Mir Deine Hand
This is what the web site rarebeatles.com had to say on this particular album.
“The Rarities album was designed to complement the Beatles’ original twelve albums by pulling together many of their single releases not available on British LPs. Unlike Capitol Records in America, British Parlophone rarely duplicated songs issued as singles on later albums.”
The British Rarities (EMI/Parlophone PSLP 261), consists of seventeen tracks, including such obscure B-sides as The Inner Light and You Know My Name (Look Up The Number), along with the original version of Across The Universe and the first British release of Sie Liebt Dich and Komm, Gib Mir Deine Hand (She Loves You and I Want To Hold Your Hand sung in German). Together, these thirteen albums make up most of the Beatles studio output. However, this set is not complete. One glaring omission was Hey Jude, one of the Beatles’ biggest selling singles.
The U.S. Rarities (Capitol SPRO 8969), compiled in Los Angeles, contains two mistakes. For some unknown reason, Sie Liebt Dich and Komm, Gib Mir Deine Hand were replaced with the not-too-rare English versions of She Loves You and I Want To Hold Your Hand. The album became a much sought-after collector’s item not only because just 3,000 copies were pressed, but also because it contained the first American release of the original version of Across The Universe.
In England, the excessive publicity given the Beatles box sparked a demand for the commercial release of Rarities. British fans wanted the convenience of having most of their Beatles collection together on LPs and also of having Sie Liebt Dich and Komm, Gib Mir Deine Hand available domestically. Due to the pressure exerted by disc jockeys and the music press, EMI decided to issue the album to the general public. The record sold well, resulting in further releases throughout Europe and in Japan (Odeon 63010).
There is one final, small but important element to this boxed set and that is, that it came with an individual photo of each of the Beatles, adding to the collectability of the set.
In what is both an element of luck, and of care, my four photos have not just remained intact but are as new.
So finally, whereas back in the 1960’s it was almost de rigueur to have most, if not all, of the Beatles albums in your collection, today, they are just another interesting group to most younger people.
The chances are that many of you who survived the journey through the 1960’s, ‘70’s & even the 80’s, have probably lost, had stolen or even sold some of your Beatles collection.
This is the fiftieth year since their last release so it’s probably an appropriate time to begin to reflect on this group, four men who bought about such monumental changes in music, fashion and even helped shape the Politics of Peace!
This boxed set provides almost all the listening you could ever want.
There have been more recent releases on CD , and even ob vinyl. Re-released vinyl is very expensive and to reproduce a set like this would be very costly. better tio keep your eyes opened for the boxed set of vinyl.
Aren’t we lucky to have so many wonderful clips of live performances despite the miming and Apple constantly closing off clips for copyright reasons.
Here are a few that i have chosen for your edification.
Twist and Shout (Live At The Festival Hall in Melbourne)
I Feel Fine
Ticket to Ride
Yellow Submarine Original Trailer – 1968 (Beatles Official)
Previous Cream of The Crate Albums:
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